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Funk rock is a fusion genre that mixes elements of funk and rock. James Brown and others declared that Little Richard and his mid-1950s road band, The Upsetters, were the first to put the funk in the rock and roll beat, with a biographer stating that their music "spark[ed] the musical transition from fifties rock and roll to sixties funk".Script error
Funk rock's earliest incarnation on record was heard in the late 1960s through the mid-1970s by acts such as the Jimi Hendrix Experience (later work / Band of Gypsys), Eric Burdon and War, Ike and Tina Turner, Trapeze, Black Merda, Parliament-Funkadelic, Betty Davis and Mother's Finest. During the 1980s and 1990s funk rock music experienced a surge in popularity, with bands such as Rage Against the Machine, Incubus, Infectious Grooves, Red Hot Chili Peppers, Faith No More and Primus mixing funk rock with many different genres, most notably heavy metal, hip hop, experimental music and punk rock, with this leading to the emergence of the funk rock subgenre funk metal.
Funk rock is a fusion of funk and rock. Many instruments may be incorporated into the music, but the overall sound is defined by a definitive bass or drum beat and electric guitars. The bass and drum rhythms are influenced by funk music but with more sonic intensity, while the guitar can be funk- or rock-influenced, usually with distortion, which is similar to overdrive or fuzz.
Funk rock acts of the 1960s and 1970sEdit
Jimi Hendrix was the first well-known recording artist to combine the rhythms and riffs of early funk to his rock sound. Perhaps the earliest example is his song "Little Miss Lover" (1967). His live album Band of Gypsys features funky riffs and rhythms throughout (especially the songs "Who Knows" and "Power of Soul") and his unfinished album also included a couple of funk rock songs such as "Freedom", "Izabella" and "Straight Ahead".
George Clinton has been considered the godfather of this genre since 1970. Clinton created the name "P-Funk" for the innovative new concepts of funk that he culled from former members of James Brown's band (such as Maceo Parker and Bootsy Collins) and new young players such as Eddie Hazel. His groups, Funkadelic and Parliament, practically defined funk since the release of the influential funk rock Funkadelic classic Maggot Brain (1971). Later funk rock albums by the group include Cosmic Slop, Standing on the Verge of Getting It On, Hardcore Jollies and Let's Take It to the Stage. Later albums such as One Nation Under a Groove and Electric Spanking of War Babies had a bit more radio-friendly sound but still preserved much of group's funk rock approach. This work served as the primary influence on an entire generation of funk and hip hop artists from the Red Hot Chili Peppers to Snoop Dogg.
Other pioneers of funk rock evolved in the 1970s in the music of the British rock band Trapeze , Certain Racio and American artists Rick Derringer, Redbone, Shotgun, Mother's Finest and Black Nasty. Grand Funk Railroad pioneered the bass driven hard rock funk style in 1970 so well portrayed in their song "Inside Looking Out" and later picked up by Rage Against the Machine. Also singer-model Betty Davis recorded important funk rock albums. The iconoclast composer and guitarist Frank Zappa demonstrated a good performance on that merge of styles in albums like Overnite Sensation in themes such as "I'm the Slime", covered decades later by Funkadelic in his gigs. The funk rock acts were not favoured by R&B recording companies. For example, guitarists of Chic wanted to be a glam funk rock band like Kiss, but they eventually became a disco act after being turned down by recording companies. Despite its considerable influence on later popular music, funk rock was not very visible phenomenon during the 1970s. Only a few funk rock acts could be seen on record charts, notably David Bowie whose successful mid-to-late 1970s albums displayed strong funk tendencies. Also, when Glenn Hughes left Trapeze and joined Deep Purple along with David Coverdale, Deep Purple's next two albums contained elements of funk and soul. When Ritchie Blackmore left Deep Purple in 1975, the band's next album Come Taste the Band with Tommy Bolin was even more funky than its predecessor Stormbringer. However, Deep Purple broke up in 1976 and Tommy Bolin died from a drug overdose. British guitarist Robin Trower's albums In City Dreams and Caravan To Midnight, produced by veteran R&B producer Don Davis and featuring former Sly & The Family Stone bassist Rustee Allen, are also pioneering funk rock albums.
In the late 1970s Gang of Four, Iggy Pop in his Bowie-produced LP The Idiot, the Big Boys, Xavion (an Afro-American group whose Asylum/Mirage LP in 1984 predated the formation of Living Colour) and Rick James along with new wave mainstays Blondie and Talking Heads created their own sound mix of punk/funk. One famous funk rock song of the period was "Another One Bites the Dust" by British rock icons Queen. Also in the 1980s, a fusion genre probably best described as synth-funk (a combination of synthpop and funk) was prominent in some synthpop bands such as Scritti Politti, a notable album being Cupid & Psyche 85, and in the British group Level 42.
The funk rock genre's representatives from the 1980s to present day include INXS, Fine Young Cannibals, Jane's Addiction, Fishbone, Faith No More, Mr. Bungle, Primus, Living Colour, Terence Trent Darby and Spin Doctors as well as Prince, leading the way with spinoffs The Time, and one hit wonders Mazarati, who all have created, expanded and defined the funk rock style.
Red Hot Chili Peppers's second and third albums (which were released 1985 and 1987 respectively, and featured guitarist Hillel Slovak) are seen by many fans as the more funk-oriented albums of their collection. This is often characterized by a driving bass-line which is played over a sparse guitar track occasionally punctuated by metal-like riffs and solos (such as the solo in the middle of "Backwoods").
Keziah Jones, Seal, and Stevie Salas released funk rock albums. And in the early 1990s, several bands combined funky rhythms with heavy metal guitar sounds, resulting in "funk metal", where the emphasis is in using much heavier distorted guitar sounds in the mix. Funk rock employs more of a lighter, "crunchier" distorted guitar sound, and the musical emphasis tends to be more beat-driven with prominent bass lines; more rhythmic in the R&B sense. One of the best examples of the fusion can be heard on the critically acclaimed Blood Sugar Sex Magik album, released in 1991 by the Red Hot Chili Peppers. Other notable 1990s artists in the funk rock genre, although not widely known in North America, include guitarist Stevie Salas and funk metal bassist TM Stevens. The latter's 1995 album Boom! is an excellent example of bass-heavy songs mixed with rhythmic guitar riffs.
Lenny Kravitz is one of the most prominent musicians today in the fusion of rock riffs and funk rhythms, as exampled in tracks such as "Tunnel Vision", "Always on the Run", and "American Woman". Rock band Incubus's early sound was rooted in funk music, heavily influenced by earlier funk/metal fusion artists such as Faith No More and Primus. During the making of his acclaimed studio album Voodoo (2000), neo soul musician D'Angelo was influenced by the funk rock sound of P-Funk, Jimi Hendrix and other such artists, while his hit single "Untitled (How Does It Feel)" has been noted by critics for containing elements of and similarity to the Maggot Brain sound of Funkadelic. Jane's Addiction have included many funk based routines in tracks. Irish band Republic of Loose are also noted for their funk rock sound which has earned them several awards and critical acclaim.
- ↑ Template:Cite conference
- ↑ "Little Richard". The Rock and Roll Hall of Fame. 1986. http://rockhall.com/inductees/little-richard/. Retrieved March 6, 2013.
- ↑ http://articles.latimes.com > ... > Collections
- ↑ Fungus Amongus Allmusic Review Allmusic
- ↑ http://www.houstonpress.com/music/incubus-brandon-boyd-the-shit-weve-been-screwing-around-with-has-been-really-exciting-6518353
- Palmer, Robert (2011). Blues & Chaos: The Music Writing of Robert Palmer. Simon and Schuster. ISBN 978-1-4165-9974-6Script error. https://books.google.com/books?id=hx0ZdtoJzc8C&pg=PA139.